Erwin A. SchinzelDeutscher Bildhauer, geboren 1919 in Jägerndorf/Sudet translation - Erwin A. SchinzelDeutscher Bildhauer, geboren 1919 in Jägerndorf/Sudet English how to say

Erwin A. SchinzelDeutscher Bildhaue

Erwin A. Schinzel
Deutscher Bildhauer, geboren 1919 in Jägerndorf/Sudetenland, lebt und arbeitet in Waldbronn

Porträt des Künstlers Erwin A. SchinzelGibt es noch echte „Klassiker“ unter den Bildhauern? Künstler, die Werke schaffen, die ganz in der Tradition ihrer Kunst stehen, offen und unverstellt die Großen ihres Faches beerben und dennoch aktuell zu wirken verstehen? Es gibt sie, und Erwin A. Schinzel ist einer von ihnen.

Seine Arbeiten zeigen die handwerkliche Souveränität einer Zeit, als Genauigkeit und Perfektion der Darstellung noch höchste Maßstäbe der Bildhauerkunst waren. Sie ignorieren ganz bewusst alle Moden und Modernismen des Jahrhunderts, das seine Lebenszeit im Wesentlichen umfasst.
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Erwin A. SchinzelGerman sculptor, born in 1919 in Jägerndorf/Sudetenland, lives and works in WaldbronnPortrait of the artist Erwin A. SchinzelGibt there is still real "classic" among the sculptors? Artists who create works that stand in the tradition of their art, open and undisguised inherit the great their subject and understand yet currently to work? There she and Erwin A. Schinzel is one of them.His works show a time when accuracy and perfection of appearance were still highest standards of sculpture the traditional sovereignty. You ignore deliberately all fashions and Modernisms of the century, which includes his life time substantially.
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Erwin A. Schinzel
German sculptor, born in 1919 in Jägerndorf / Sudetenland, lives and works in Waldbronn portrait of the artist Erwin A. SchinzelGibt there real "classic" among the sculptors? Artists who create works that are in the tradition of their art, open and undisguised inherit yet know how to act currently the Great in their field? They exist, and Erwin A. Schinzel is one of them. His works show the craftsmanship sovereignty at a time when precision and perfection of the presentation were the highest standards of sculpture. They ignore deliberately all fashions and modernism of the century, including its lifetime substantially.



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