Der Vogel als Sinnbild für Freiheit

Der Vogel als Sinnbild für Freiheit nimmt in Tiemanns plastischem Werk einen festen Platz ein. Diese Greifvogel-Bronze ist die Versinnbildlichung der Metamorphose vom Menschen zum Tier. Mystisch. Mutig. Grenzenlos.

Skulptur in Bronze 2009, Auflage 7 Exemplare, nummeriert und signiert. Höhe 63 cm, Breite 20 cm, Tiefe 20 cm.

Das Thema "Mutter und Kind" beschäftigte Lehmbruck lebenslang. Die Fassung von 1907 ist ein zentrales Werk seiner ersten Pariser Ausstellung; es zeigt die Mutter als glücklich-liebende und ist noch deutlich der klassischen Bildhauerei verpflichtet. Lehmbrucks überragender Sinn für Maß und Proportion kündigt die plastische Verdichtung späterer Arbeiten bereits an. Die Skulptur entstand nach Lehmbrucks erster Italienreise und dürfte in ihrer Pietà-Gebärde an den dort bewunderten Alten Meistern orientiert sein.

Bildhauermodell nach der Originalvorlage, Format 25,5 x 26 x 22 cm (B/H/T). Edition in weißem Kunstmarmor. Polymeres ars mundi Museums-Replikat, von Hand gegossen und von Hand patiniert. Gewicht ca. 5,7 kg.

Results (English) 1:

The bird as a symbol for freedom takes a firm place in Tiemanns sculptural work. This bird of prey-bronze is the symbolization of the metamorphosis of man into the animal. Mystic. Brave. Limitless.Sculpture in bronze 2009, 7 copies, numbered Edition and signed. Height 63 cm, width 20 cm, depth 20 cm.The "Mother and child" theme employed Lehmbruck for life. The version of 1907 is a central work in his first Paris exhibition; It shows the mother as a happy loving and is obliged of classical sculpture still clearly. Sense of measure and proportion of outstanding over Lehmbrucks already announces the plastic compression of later work. The sculpture should be oriented towards there revered old masters in its Pietà gesture and made by Lehmbrucks of first Italy travel. Sculptor model after the original template, format 25.5 x 26 x 22 cm (W/H/D). Edition in white artificial marble. Polymeric ars mundi Museum replica, hand poured and hand patinated. Weight 5.7 kg.

Results (English) 2:

The bird as a symbol of freedom takes in Tiemanns plastic plant a firm place. This bird of prey is the bronze symbolizes the metamorphosis from human to animal. Mystical. Courageous. Boundless. Sculpture in Bronze 2009 Edition 7 copies, numbered and signed. Height 63 cm, width 20 cm, depth 20 cm. The theme "Mother and Child" employed Lehmbruck lifetime. The version of 1907 is a key work of his first Paris exhibition; it shows the mother happy-loving and is still clearly the classical sculpture obliged. Lehmbruck's superior sense of measure and proportion announces the plastic compression of subsequent work on this. The sculpture was created by Lehmbruck first trip to Italy and is expected to be oriented in their Pietà-gesture to the old masters admired there. Sculptors model using the original template, format 25.5 x 26 x 22 cm (W / H / D). Edition in white imitation marble. Polymeric ars mundi museum replica, hand-poured and patinated by hand. Weight about 5.7 kg.

Results (English) 3:

the bird as a symbol for freedom tiemanns plastic factory is in a firm place. these birds of prey in bronze is the symbol of transformation from man to animal. mystical. brave. boundless.

sculpture in bronze in 2009, edition 7 copies, signed and numbered. height of 63 cm, width 20 cm, depth of 20 cm.

the theme of mother and child employees lehmbruck for life.the version of 1907 is a central work of his first paris exhibition; it shows the mother happy, loving, and is clearly of classical sculpture itself. lehmbrucks overriding sense of level and proportion announces the plastic compression of subsequent work already.the sculpture was created by lehmbrucks first trip to italy and, in its pieta sign the old masters is admired.

bildhauermodell after originalvorlage, format 25.5 x 26 x 22 cm (b / h / t). edition in white kunstmarmor. polymer ars mundi museum replica, cast by hand and hand patina. weight approximately 5.7 kg.