Michelangelo BuonarrotiSchmerz und

Michelangelo Buonarroti
Schmerz und Verzweiflung aber auch Hoffnung schilderte Michelangelo in seiner Urgeschichte der Menschheit: der Sixtinischen Kapelle im Vatikan. Als er diese Gewölbefresken zwischen 1508 und 1512 schuf, spielte der Hauptvertreter der Hochrenaissance und Wegbereiter des Manierismus als Bildhauer und Maler bereits eine zentrale Rolle im künstlerischen und intellektuellen Leben Italiens.

Results (English) 1:

Michelangelo BuonarrotiPain and despair, but also hope portrayed Michelangelo in its prehistory of mankind: the Sistine Chapel in the Vatican. When he created this Vault frescoes between 1508 and 1512, the main proponents of the High Renaissance and pioneer of Mannerism as a sculptor and painter already played a central role in the artistic and intellectual life of Italy.

Results (English) 3:

michelangelo buonarroti the pain and despair and hope in the prehistory of humanity described michelangelo: the sistine chapel in the vatican. when this vaulting frescoes are between 1508 and 1512 createdthe main representatives of the high renaissance, mannerist and enablers as sculptors and painters have a central role in the artistic and intellectual life in italy.