Frank SuplieUnter dem freien Himmel

Frank Suplie
Unter dem freien Himmel der Landschaft ins Wesen geschaut, so malt Frank Suplie (*1950), ein Worpsweder Stipendiat und Meisterschüler von Prof. Fußmann. Wie alle Norddeutschen Realisten hat bei ihm das Motiv Vorrang, nie würde er etwas vernachlässigen. Er verwendet selten Grau oder Braun, verschmutzte Farben schon gar nicht; eher ist ein Pastellton vorherrschend, der dann, punktuell, hier und da, sich zu einem reinen Rot oder Gelb steigert. In dieser hellen Skala bewegt sich die Malerei des Frank Suplie - er beherrscht sie virtuos.

Seine Landschaftsimpressionen sind in vielen öffentlichen Sammlungen vertreten.

Results (English) 1:

Frank SuplieLooked under the clear sky of the landscape in the industry, so Frank Suplie malt (* 1950), a fellow Worpswede and master student of Prof. Fußmann. Like all North German realists, the subject takes precedence with him, never he would neglect anything. He rarely used gray or Brown, dirty colors definitely not; a pastel tone is rather prevalent, which then, selectively, here and there, will increase to a pure red or yellow. In this bright scale, the painting of Frank Suplie moves - he mastered it brilliantly. His impressions of the landscape are represented in many public collections.

Results (English) 2:

Frank Suplie
looked into the nature in the open air of the countryside, so paints Frank Suplie (* 1950), a fellow Worpswede and master student of Prof. Fußmann. Like all North German Realists has in him the motive prevail, he would never neglect anything. He rarely used gray or brown, dirty colors certainly not; more of a pastel shade is predominant, then, selectively, to increases here and there to a pure red or yellow. In this light, the scale painting of Frank Suplie moves - he mastered it with virtuosity. His landscape impressions are represented in many public collections.

Results (English) 3:

frank suplie
under the open sky, the landscape in the nature watching, frank suplie paints (* 1950), a worpsweder scholar and student of prof. fußmann. like all german realist in the motive priority, never would he a little neglect. it uses rare grey or brown, dirty colors not; rather, a pastellton predominantly, then, spotty,here and there, to a pure red or yellow increases. in this bright scale moves the painting of the frank suplie he controls her sweetly.

his landschaftsimpressionen are represented in many public collections.