The resulting prophecy is, like the

The resulting prophecy is, like the movie, bloody and inconclusive. Crowd-wowing CGI spectacle and the inevitable if inconsequential 3-D effects make Exodus look like pure product, without any defining vision. At least Darren Aronofsky's Noah, however nutty, had a point of view.

Scott has described himself as an agnostic, and he immediately challenges the faithful by setting the action in 1300 B.C.E. — "Before Common Era," the designation preferred by academics and some non-Christians over B.C. ("Before Christ").

Whenever possible, Scott and the four credited scripters treat the purely mythic story as if it occurred in a world bound by the laws of science. The 10 plagues, pumped up with the addition of voracious crocodiles, are presented as logically proceeding from one to the other. And the Red Sea crossing suggests that Moses and his followers benefited from the receding waters of a perfectly timed tsunami.

Results (English) 3:

由此产生的预言，就像电影，血腥和不确定。人群让CGI奇观和必然如果无关紧要的三维效果，使大批像纯粹的产品，没有任何明确的视觉。至少戴伦Aronofsky的诺亚，然而坚果，有一种观点。

史葛称自己是不可知论者，他立即挑战忠实的公元前1300年制定的行动“在共同的时代，“首选的学者和一些非基督徒在公元前指定（“在基督”）。

每当可能的时候，史葛和四记脚本对待纯粹的神话故事，如果它发生在一个世界中的科学法律界。10灾，泵与贪婪的鳄鱼，作为逻辑程序从一个到另一个。和过红海表明摩西和他的追随者从退去的恰到好处的海啸中受益。