Skulptur nach dem Gemälde von Johan

Skulptur nach dem Gemälde von Johann Heinrich Wilhelm Tischbein (1751-1829). Tischbein selbst ließ nach seinem berühmten Porträt ein Tonmodell fertigen. Es ist verschollen und wurde für diese Ausfertigung aufwändig rekonstruiert.

Format der Skulptur 33 x 23 x 15 cm (B/H/T). Version in Kunstmarmor, polymerer weiß gebundener Kunstmarmor.

Gorilla - eine Primatengattung aus der Familie der Menschenaffen. Liebevoll und detailintensiv dargestellt in der charakteristischen Mischung aus Material und Textur. Jedes Kunstwerk wird in einem aufwändigen Verfahren aus keramischem Kunststein hergestellt, von Hand bemalt und lackiert. Format 39 x 38,5 x 31,5 cm (B/H/T).

Sie kam mit ihrem Salbgefäß zum Grab Christi, und dort wurde ihr vor allen Jüngern die Botschaft von der Auferstehung zuteil. Im Herbst des Mittelalters begann eine intensive Magdalenenverehrung, denn die Heilige galt als durch den Opfertod ihres Herrn erlöste und begnadete Sünderin und setzte so ein Hoffnungszeichen für den schuldbefangenen Menschen. Diese Renaissance-Skulptur zeigt sie als huldvolle Schutzheilige im burgundischen Brokatgewand.
Original: Musée de Cluny, Paris. Ateliers Brabocons, 16. Jahrhundert. Holz.

Polymeres ars mundi Museums-Replikat von Hand gegossen. Höhe 100 cm. Gewicht 30 kg.

Results (English) 1:

Sculpture after the painting by Johann Heinrich Wilhelm Tischbein (1751-1829). Table leg even had a clay model for his famous portrait. It has been lost and was painstakingly reconstructed for this copy.The sculpture format 33 x 23 x 15 cm (W/H/D). Bound art marble version in artificial marble, white polymer.Gorilla - a genus of the family of great apes. Detail-intensive and lovingly presented in the characteristic blend of material and texture. Every work of art is made in a complex process of ceramic artificial stone, hand-painted and painted. Style 39 x 38.5 x 31,5 cm (W/H/D).She came to the tomb of Christ with her jar of ointment, and there the message of the resurrection was given prior to all disciples. In the autumn of the middle ages began an intensive Magdalenenverehrung, because Saint considered by the sacrificial death of Mr sinner redeemed and gifted and was a sign of hope for the guilt-ridden people. This Renaissance sculpture shows her as a gracious Patron Saint in the Burgundy Brocade robe. Original: Musée de Cluny, Paris. Ateliers Brabocons, 16th century. Wood. Polymeric ars mundi Museum replica from hand poured. Height 100 cm. weight 30 kg.

Results (English) 2:

Sculpture after the painting by Johann Heinrich Wilhelm Tischbein (1751-1829). Tischbein himself had finished a clay model for his famous portrait. It has disappeared and has been reconstructed consuming for this copy. Format of sculpture 33 x 23 x 15 cm (W / H / D). Version in imitation marble, polymeric bound white cultured marble. Gorilla - a primate genus of the family of great apes. Lovingly intensively shown in the characteristic mix of material and texture. Every work of art is produced in a complex process of ceramic stone, hand painted and varnished. Format 39 x 38.5 x 31.5 cm (W / H / D). She came with her ​​jar of ointment to the grave of Christ, and there she was the message of the resurrection before all the disciples received. In the autumn of the Middle Ages began an intensive Magdalene worship, because the Holy was considered redeemed through the sacrificial death of their Lord and gifted sinner and so put a sign of hope for the debt prejudiced people. This Renaissance sculpture shows them as gracious patron saint in Burgundy brocade robe. Original: Musée de Cluny, Paris. Ateliers Brabocons, 16th century. Wood. Polymer ars mundi museum replica of hand poured. Height 100 cm. Weight 30 kg.

Results (English) 3:

sculpture after the painting by johann heinrich wilhelm leg (1751 - 1829). leg even after his famous portrait of a clay model was finished. it's lost and for this copy of a reconstructed.

format of the sculpture 33 x 23 x 15 cm (b / h / t). version in kunstmarmor, polymeric know bound kunstmarmor.

gorilla - a primatengattung from the family of apes. loving and detailintensiv shown in the characteristic mixture of material and texture. every work of art is an elaborate procedure produced from ceramic artificial stone, hand painted and varnished. format 39 x 38.5 x 31.5 inches (b / h / t).

she came in with her salbgefäß the tomb of christ,and there was her all the disciples the message from the resurrection itself. in the autumn of the middle ages began an intensive magdalenenverehrung because the holy was considered by the line of their lord, christ and magical sinner and continued as a sign of hope for schuldbefangenen people.the renaissance sculpture shows them as huldvolle patron saint in the burgundian brokatgewand. the original: the museum de cluny in paris. studios brabocons, 16. century. wood.

polymer ars mundi museum replica cast by hand. height of 100 cm. weight of 30 kg.