Stolz und erhaben präsentiert Wunde

Stolz und erhaben präsentiert Wunderlich Adams Gefährtin. Vor ihr, auf der Erde, schlängelt sich keck die Schlange. Im Gegensatz zum biblischen Bericht, in dem sich Adam und Eva nach dem Genuss des Apfels vom Baum der Erkenntnis ihrer Nacktheit bewusst werden und diese schamvoll bedecken, erscheint Paul Wunderlichs Eva mit gepanzertem Oberkörper. Dieser verhüllt jedoch die Attribute ihrer Weiblichkeit keineswegs. Wunderlich spielt hier mit den Assoziationen des Betrachters, indem er durch die Bekleidung das, was eigentlich verhüllt werden soll, entblößt. In seiner ganz individuell künstlerischen Umsetzung verbindet sich die Idee mit dem Raffinement des Materials und die Fantasie mit der Perfektion der Formgestaltung. Und damit erfüllt er einen großen künstlerischen Anspruch: erst in der Übereinstimmung von Form und Inhalt wird ein Werk zum Kunstwerk.

Results (English) 1:

Proud and exalted Wunderlich Adams companion presents. Before her, on Earth, the serpent winds keck. In contrast to the biblical account, in which Adam and Eve become aware of after consumption of the Apple from the tree of the knowledge of their nakedness and they shyly cover, Paul Wunderlich Eva with armored torso appears. This however is not cloaked the attributes of her femininity. Wunderlich plays here with the associations of the Viewer by he exposed what should actually be shrouded, through the clothing. His individual artistic implementation combines the idea with the refinement of the material and the fantasy with the perfection of the form design. And thus he meets a great artistic claim: only in the match of form and content is a work to the artwork.

Results (English) 2:

Pride and sublime presented Wunderlich Adams companion. In front of her, on the ground, winds boldly the snake. In contrast to the biblical account, where Adam and Eve are aware after eating the apple from the tree of knowledge of their nakedness and this cover in shame, Paul Wunderlich Eve appears with armored torso. However, this hides the attributes of her womanhood not. Wunderlich plays with the associations of the viewer by, denuded by the clothing, what is supposed to be concealed. In his very individual artistic accomplishment combines the idea of ​​the sophistication of the material and the imagination with the perfection of form design. And so he met a great artistic claim: only in the compliance of form and content is a work of art.

Results (English) 3:

proud and lofty presents whimsically adams companion. in front of you, on earth, winds keck the snake. in contrast to the biblical report in which adam and eve is the enjoyment of the apple from the tree of the knowledge of their nakedness be aware of and shameful cover, paul wunderlichs eva with gepanzertem torso.this, however, does not cover attributes of their femininity. wunderlich plays with the connotations of the viewer by the clothing what actually cover is exposed. in his individual artistic implementation combines the idea with the refinement of the material and the imagination with the perfection of the design.and this is a great artistic ambition: first in the line of form and content is a work of art.