Die Emotionen der Dargestellten zu

Die Emotionen der Dargestellten zu veranschaulichen war immer ein Hauptanliegen Rembrandts, von dem seine über 100 Selbstportraits zeugen, die ihn in wechselnder Verkleidung und verschiedenen psychologischen Studien zeigen. So sind auch die liebevollen und sinnlichen Bildnisse seiner Frau Saskia und später Hendrickje Stoffels, mit der er seit 1649 zusammenlebte, zu verstehen. Die Heirat 1634 mit Saskia von Uylenburgh ermöglichte der Familie, der Sohn Titus wurde 1641 geboren, ein finanziell sorgloses Leben und viele Aufträge. Aber nach Saskias Tod 1642 geriet der Maler in immer größere Geldnot und verstarb am 4.10.1669 hochverschuldet.

Results (English) 1:

Always a main concern of Rembrandt's witness of his over 100 portraits of the self, which show him in changing Panel and various psychological studies was to illustrate the emotions of the represented. So are also the loving and sensual portraits of his wife Saskia and later Hendrickje Stoffels, where he lived since 1649, to understand. The marriage in 1634 made it possible with Saskia of Uylenburgh family, the son of Titus was born in 1641, a financially carefree life and many jobs. But after Saskia's death 1642 came the painter in ever greater need of money and died deeply in debt to the 4.10.1669.

Results (English) 2:

To illustrate the emotions of the sitter has always been a main concern of Rembrandt, of which its more than 100 self-portraits testify that show him in changing trim and various psychological studies. So the loving and sensual portraits of his wife Saskia and later Hendrickje Stoffels, with whom he lived since 1649 are to be understood. The marriage in 1634 with Saskia by Uylenburgh enabled the family, the son Titus was born in 1641, a financially carefree life and many jobs. But after Saskia's death in 1642 became the painter in ever greater need of money and died on 04.10.1669 in debt.

Results (English) 3:

the emotion of the illustration was always a major concern of rembrandt, which his over 100 selfies witnesses him in the changing costumes and various psychological studies show. so also are the loving and sensual portraits of his wife saskia, and later hendrickje stoffels, with whom he lived since 1649, to understand.the marriage of 1634 with saskia of uylenburgh enabled the family, the son of titus was born in 1641, a financially carefree life and many orders. but after saskias death in 1642 was the painter in increasingly distressed and died on 4.10.1669 heavily in debt. "