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I was in the Royal Shakespeare Company, then I explored experimental performances with Peter Brook. Cinema appeared in my life at mature age. So I didn't go to auditions as a fashion actress who had a choice primarily of the roles of "boring chicks": girls of the main character, friends, accessories hanging on the shoulder of colleagues of the plan. Focusing on the beginning primarily on theatrical roles, I had a slightly wider repertoire at my fingertips. And playing Shakespeare required constant practice.
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