Die Grazilität seiner Skulpturen ri

Die Grazilität seiner Skulpturen riss das kunstbegeisterte Publikum bereits in den achtziger Jahren auf Ausstellungen in den Metropolen New York, Chicago und London zu Ovationen hin. Auch sonst eher zurückhaltende Kunstkritiker schrieben über Santinis Werke: "Seine Plastiken scheinen immerfort zu schweben. Selten hat man Frauenbildnisse mit soviel durchlebter Verinnerlichung und hoher ästhetischer Empfindung gesehen.“

Results (English) 1:

The Grazilität of his sculptures already ripped out the art-loving audience in the 1980s on exhibitions in the cities of New York, Chicago, and London to ovation. Also otherwise rather conservative art critic wrote about Santini's works: "his sculptures seem to float forever. Rarely seen portraits of woman with so much of internalisation and high aesthetic sensation."

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The gracefulness of his sculptures tore the art-loving audience already in the eighties back on exhibitions in the fashion capitals of New York, Chicago and London to ovations. Even otherwise more restrained art critic wrote about Santini's works: "His sculptures seem continually to hover Rarely has one seen pictures of women with so much through internalization survived and high aesthetic sensation.."

Results (English) 3:

the grazilität his sculptures tore the kunstbegeisterte audience already in the 1980s at exhibitions in the cities of new york, chicago and london to feet. otherwise, more pronounced critic wrote about santini's works: "all his sculptures appear to float.rarely has so much durchlebter frauenbildnisse integration and high aesthetic feeling. "