It was Asia, but not as we know it.

It was Asia, but not as we know it. Recently returned from a three-week trip to China and Japan, John Galliano staged a Christian Dior couture show that smashed cultural boundaries in a spectacle of gargantuan theatricality. Sweeping, multicolored volumes of fabric that mixed East and West, ancient and modern, were showcased amid appearances from Chinese dancers and circus performers, who flew along the runway in death-defying feats of athleticism.

In Galliano’s hands, the vivid colors and patterns of Chinese costume and Japanese kimonos got transformed into some of the hugest clothes ever invented. Models, almost completely submerged in cocooning swaths of brocade, taffeta and exploding chiffon flounces, teetered along on vertiginous platforms. Mixed up in the melee were pastel-colored marabou feathers—Galliano’s homage to England’s Queen Mother—18th-century hoopskirts and deliberately sleazy vinyl (just to add a contradictory jolt of modernity).

Galliano used the term hard-core romance to describe this new passion for volume and sensational celebration of color (running in every hue from sugared pastels to intense bolts of orange, turquoise and red). But we’ll have to wait for Dior’s ready-to-wear collection to see how the man plans to make it all wearable.

Results (English) 1:

It was Asia, but not as we know it. Recently returned from a three-week trip to China and Japan, John Galliano staged a Christian Dior couture show that smashed cultural boundaries in a spectacle of gargantuan theatricality. Sweeping, multicolored volumes of fabric that mixed East and West, ancient and modern, were showcased amid appearances from Chinese dancers and circus performers, who flew along the runway in death-defying feats of athleticism.In Galliano's hands, the vivid colors and patterns of Chinese costume and Japanese kimonos got transformed into some of the hugest clothes ever invented. Models, almost completely submerged in cocooning swaths of brocade, taffeta and exploding chiffon flounces, teetered along on vertiginous platforms. Mixed up in the melee were pastel-colored marie feathers—Galliano's homage to England Queen Mother—18th-century hoopskirts and deliberately sleazy vinyl (just to add a contradictory jolt of modernity).Galliano used the term hard-core romance to describe this new passion for volume and sensational celebration of color (running in every hue from sugared pastels to intense bolts of orange, turquoise and red). But we will have to wait for Dior's ready-to-wear collection to see how the man plans to make it all wearable.

Results (English) 3:

这是亚洲，只是我们不知道。最近一三周访问中国和日本回来，约翰加里亚诺举行基督教迪奥时装展示，打破了文化的界限在一个庞大的戏剧性场面。扫，五彩卷物混合东方和西方，古代和现代，展示了中国舞蹈和杂技演员在表现，谁飞在挑战死亡的特技运动跑道。

Galliano的手中，鲜艳的颜色和中国服装和日本和服图案被转化部分的hugest衣服发明。模式，几乎完全被淹没在结茧swaths锦绸和雪纺荷叶边，爆炸，摇摇晃晃地走在令人眩晕的平台。混在近战是彩色的鹳的羽毛加里亚诺的效忠英国女王mother-18th-century hoopskirts故意低俗的乙烯基（刚添加的现代性矛盾的颠簸

）。她用“核心浪漫描述体积和颜色轰动庆祝这新的激情（运行在每一个色相色调强烈的螺栓从糖橙，绿松石和红色）。但是我们要等到迪奥的成衣收藏看看老人打算使所有的穿戴。