Es sollten schwere Jahre folgen. No

Es sollten schwere Jahre folgen. Noldes Stellung zum Nationalsozialismus war, wie die Forschung seit langem festgestellt hat, durchaus kompliziert. Tatsache bleibt: 48 seiner Werke wurden 1937 in der berüchtigten Ausstellung „Entartete Kunst“ gezeigt, mehr als 1.000 beschlagnahmt und 1941 wurde ihm sogar - ein Schicksal, das sonst nur den Maler Karl Schmidt-Rottluff und den Bildhauer Edwin Scharff ereilte - ein Arbeitsverbot auferlegt. Nolde reagierte, indem er heimlich etwa 1.300 „Ungemalte Bilder“ schuf: kleinformatige Aquarelle, oft in freier, experimenteller Farbkomposition. Sie waren es nicht zuletzt, die seinen Nachkriegsruhm begründeten. 1955 war der 84jährige auf der ersten Documenta vertreten, und auch auf der zweiten im Jahr 1959 wurde sein Werk - nun postum - präsentiert.

Results (English) 2:

It should follow hard years. Nolde's position to National Socialism was, as the research has long been noted, quite complicated. The fact remains: 48 of his works in 1937 "Degenerate Art" shown in the notorious exhibition, seized more than 1,000 and in 1941 it was even - a fate that otherwise only the painter Karl Schmidt-Rottluff and the sculptor Edwin Scharff overtook - imposed a ban on working , Nolde responded by secretly about 1,300 "Unpainted Pictures" created: small-format watercolors, often in a free, experimental color composition. It was they, not least that established his postwar fame. 1955 84 year old was represented at the first Documenta, and also on the second in 1959 was his work - now posthumously - presented.

Results (English) 3:

it should be difficult years. noldes position to nazism, as research for a long time, has found quite complicated. the fact remains: 48 of his works were in the notorious art exhibition in 1937 „entartete showed more than 1000 seized and in 1941 he was even a fatethe only other painter karl schmidt rottluff and sculptor edwin scharff met a had imposed. nolde secretly responded by approximately 1300 „ungemalte paintings "created: tabloid watercolors, often free, experimental forms. you did it, last but not least, his nachkriegsruhm reasoned. in 1955, was the 84jährige on the first documenta representand also the second in 1959 was his work well - presented posthumously.