Motive seiner lebendigen, meist gro

Motive seiner lebendigen, meist großSizeigen Pictureser sind Kultobjekte und Szenen unserer Zeit zwischen Hyperrealismus und Surrealismus. Mit "Alice dans le métro" wechselt Authouart ins lyrische Fach und interpretiert erstmals ein Märchen in der ihm eigenen Zeichensprache.

Results (English) 1:

His lively, mostly großSizeigen Pictureser motifs are cult objects and scenes of our time between hyper-realism and Surrealism. With "Alice dans le métro" changes Authouart in the lyrical subject and a fairy tale in his own sign language interpreted for the first time.

Results (English) 2:

Its lively motifs, mostly großSizeigen Pictureser are cult objects and scenes of our time between hyperrealism and surrealism. With "Alice dans le métro" Authouart switches to the lyrical subject and interpreted the first time a fairy tale in his own sign language.

Results (English) 3:

motives of his living, usually großsizeigen pictureser are kultobjekte and scenes of our time between hyperrealismus and surrealism. "alice dans le metro" change authouart into lyrical subject and interpreted for a fairy tale in his own language.