Some think early Greek religion and

Some think early Greek religion and theatre were influenced by Central Asian shamanistic practices. A large number of Orphic graffiti discovered in Olbia seems to show that the colony was a major point of contact.[3] Eli Rozik points out that the shaman can be seen as an early type of actor influencing the rituals of early Greek theatre.[4][5]
Greek tragedy as we know it was made in Athens some years before 532 BC, when Thespis was the earliest recorded playwright. He won the first theatrical contest held at Athens, so he was the leader of the dithyrambs performed in and around Attica.[6] Dithyrambs were ancient hymns sung in praise of the god of wine and fertility, Dionysus. They had a wild and ecstatic nature.
By Thespis' time the dithyramb had evolved far away from its cult roots. It had become a narrative, ballad-like genre. Because of this Thespis is often called the "Father of Tragedy". The statesman Solon is said to have created poems in which characters speak with their own voice. Spoken recitations, known as rhapsodes, of Homer's epics were popular in festivals before 534 BC.[7] Thespis's contribution to drama is unclear, but his name is remembered in the common term for performer—a 'thespian'.
The dramatic performances were important to the Athenians – this is made clear by the Dionysian festival. This was organized perhaps to foster loyalty among the tribes of Attica. These had been recently created by Cleisthenes, who founded Greek democracy. The festival was created roughly around 508 BC.
Phrynichus was the first poet known to use a historical subject – his Fall of Miletus, 493, told the fate of the town of Miletus after it was conquered by the Persians.[8] He is also thought to be the first to use female characters (though not female performers).[7]
Until the Hellenistic period, all tragedies were unique pieces written in honour of Dionysus and played only once, so that today we only have the pieces that were still remembered well enough to have been repeated when repetition of old tragedies became fashion.

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一些人认为早期的希腊宗教戏剧是由中亚萨满教习俗的影响。大量的神秘的涂鸦发现奥尔比亚似乎表明，殖民地的主要联络。[ 3 ]利罗其克指出萨满可以看作是演员影响早期希腊戏剧仪式的一种早期。[ 4 ] [ 5 ]
希腊悲剧我们知道它是在公元前532年雅典几年了，当泰斯庇斯是最早记载的剧作家。他赢得了第一个戏剧性比赛在雅典举行，所以他的酒神赞歌在阿提卡进行领导。[ 6 ]酒神赞歌古代诗歌在酒和生育神的赞美歌，狄俄尼索斯。他们有一个野生和狂喜的性质。
泰斯庇斯时间酒神已经远离其崇拜的根。它已经成为一种叙事歌谣体裁，如。因此泰斯庇斯通常被称为“悲剧之父”。政治家梭伦曾创造了在字符用他们自己的声音的诗。口头朗诵，被称为诗人，荷马史诗是在公元前534年流行的节日。[ 7 ]泰斯庇斯对戏剧的贡献是不清楚的，但是他的名字是常见的术语，记住performer-a“戏剧”。
戏剧性的表演被雅典人重要的–这是由酒神节明确。这也许是组织培养的阿提卡部落间的忠诚。这些最近已由克利斯提尼，创立了希腊民主政治。大约在公元前508节创建。
phrynichus是第一个已知的使用历史的主体–他的秋天的米利都，493个诗人，告诉的米利都的小镇的命运在它被波斯人征服。[ 8 ]他也被认为是女性使用字符的第一个（尽管不是女性表演者）。[ 7 ]
直到希腊化时期，所有的悲剧都是独特的作品在纪念狄俄尼索斯，只打了一次，所以今天我们只有还清楚地记得有重复时，重复旧的悲剧成为了时尚的碎片。